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A protective boundary wall running 6,600 feet in length fences the enclosure. It consists
of a basal wall, two and a half feet in height, with masonry square pillars
at some interval. The space between the pillars is filled with iron grill
consisting of spiked verticals strengthened by horizontal bars. All of
them are painted black. At the gates, the iron spikes assume ornamental
design, and the massiveness of the entrance is emphasized by the replacement
of ordinary masonry pillars by a combination of strong iron uprights in
the shape of a square. They add a variety to the simple piers of masonry
and stand out boldly in contrast to the ordinary rails. To remove the
effect of heaviness, ornamental curls have been added as an extra support
to the pointed arrow. All the gates are of similar design, though they
vary in size.
The main entrance on the west is the largest and opens into a pavement with the
approach road gradually sloping up from the main thoroughfare. The gate
consists of three wide openings of equal size in the middle with a smaller
door flanking on the right and left, and a guardroom on the side. At either
end, an ornamental lamp over a masonry pillar marks out the gate. The
three openings in the middle are each seperated by a span of iron grills
meant for receiving the doorleaves when open. The grills are comprised
of spiked verticals alternating with iron rods ending in curls at either
end, while a conical arrow of the spike itself is held between italic
x-shaped brackets. The most prominent are the spikes over the square pillar-like
formation of the iron verticles. Here a combination of curly brackets,
originating from the four corners, hold the spike in position and at the
same time they present a fretted design in elevation.
The ornamental form of the side lamps, which actually act as an iron frame to hold the
glasses, also derives from the same motif. The entire composition of the
entrance with its simple erect rods recieves a charm of its own by these
graceful ornamental curls and brackets that mark its horizon. But, above
all, it is through the trickery of open fencing that the vision of the
main building is kept free from obstruction. Against the off-set reliefs
of the battered walls of the mausoleum the grills act as a partial screen
and stand out in contrast to the loveliness of its white.
Courtesy: Prof. Ahmad Hasan Dani, Quaid-e-Azam University, Islamabad
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