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The massive walls of the tomb are faced externally with Mullagori white marble set
in high relief imitating the brick design, with the result that the whole
face appears to have been divided into little squares. This device is
adopted to remove the effect of a blank wall of such a hugh size, which
has no other decoration but only the arch way over the top corner projections
to divert the mind. Eight steps, flagged with Naushera pink marble, lead
up to the tomb floor from the platform. The dome that covers the top is
contained within the corner projections, which seemingly keep it in position
against the buffets of the stormy winds. Between the projections, the
drum, which is separated by a horizontal band from the dome, is further
relieved by a graceful combination of three horse-shoe arched windows
derived from the early Muslim architecture. The arches are resting on
facetted marble columns and its interior is filled with marble screen
copying various geometric forms, but the most dominating is the octagon.
The inside of these windows is fitted with teakwood frame to take in glass
panes and to keep away the intruding birds. These triple windows have
further lightened the bulk of the dome and they impart an additional grace
to the otherwise plain white drum. The interior of the tomb chamber has
its floor paved with Mullagori white marble, interspersed here and there
with Quetta black marble. There is a dado of block marble of about a foot
in height. The interior cell is also faced with white marble, arranged
in rectangles, seperated by green onyx uprights set alternately. The gallery
walls are all of white mosaic, but the dome above the gallery is turned
blue by the blue tile facing. This colour gives the impression of a blue
sky. This soft colour along with the gallery, which acts like a basal
collar of the domb, imparts to the tomb chamber a heavenly solemnity,
which is well deserved by the Great Leader buried here.
Courtesy: Prof. Ahmad Hasan Dani, Quaid-e-Azam University, Islamabad
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