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View Milli Naghmay list
Why is it that only a handful of patriotic songs
have made it to the hearts of Pakistani listeners in the last 15 years? Is
there something wrong with the lyrics? Are the vocalists of the '90s and
the new millennium not up to the task of delivering patriotism through
self-composed and self-written songs? Or is it simply a lack of quality
musicians, with no orchestra to back them up, the reason why this current
pop-loving crop is still listening to ever-green patriotic songs sung by
the likes of Nur Jehan, Alamgir, Shyhaki and so many others?
There is more than one reason for the deplorable slump in the quality of our
national songs. The zeal and fervour that once ruled the airwaves when the
month of August began in Pakistan can hardly be spotted these days. Many
still celebrate August 14 enthusiastically, but as soon as the day is
over, all the love, jazba and patriotism evaporates, leaving tattered
paper flags to be trampled under the zombie-like shuffle of the 9-5 office
going lot the next day.
The main reason for the dearth of quality
milli naghmay is the glut of poor quality Pakistan-loving numbers. Almost
every other recording artist coming out with an album has a track praising
this beautiful land of ours. The song has intolerable backing vocals,
excessive use of guitars, sub-standard vocals and above all, uninspiring
lyrics. It was the spirit of the dedicated musicians; the altruistic
vocals of the singers and the philanthropic lyrics of the poets that
thrilled, enticed and pleased music lovers all through the '60s, '70s and
the '80s. Who can forget Mohammad Ali Shyhaki singing Main Bhi Pakistan
Hoon ... in bell-bottoms or Shehnaz Begum rendering Sohni Dharti Allah
Rakhay and Jeevay, Jeevay Pakistan? Not a soul. The songs were made by
those who worshipped Pakistan and their work spoke volumes of their
patriotism and passion for music, the financial aspect of the whole deal
not even making it to third place.
Our older generation didn't care
about sponsors and advertisements, had no lust for jam-packed concerts,
was least worried about the success or failure of music albums and was
dedicated to quality stuff. On the other hand, for the new generation of
popsters, patriotic numbers are there either to bag advertisements,
fulfill their commitment to sponsors, get good reviews for their albums or
just because it's a norm to have at least one Pakistan song in their album
to fulfill a sense of duty.
In the past, patriotic songs were
brought to us by radio, TV and the big screen. Most catered to the
national sentiment during the wars of '65 and '71. These immortal melodies
are discussed here to give you an idea of what life was when there was an
abundance of such songs.
Films have always played an important part
in churning patriotic sentiments in people. Songs like Aao Bachchon Sair
Karaein, Yaad Karta Hai Zamana, Himmat Se Har Qadam, Iss Parcham Ke Saaye
Tallay, Allah-o-Akbar and Qasam Us Waqt Ki generated zeal, motivation and
patriotic fervour amongst the public.
While the Armed Forces of
Pakistan defended the homeland in '65 and '71; our musicians, poets and
singers boosted their morales with songs that touched the hearts of all
those who were praying for their motherland's safety. Inayat Hussain
Bhatti's Allah-o-Akbar was and still is one of the most captivating songs
ever rendered with smashing and dynamic lyrics by Tufail Hoshiyarpuri, and
the brilliant composition of Rasheed Attre for the film Changez
Khan.
Masood Rana's Jaag Utha Hai Sara Watan, Mehdi Hassan's
self-composed Apni Jaan Nazar Karoon, Nur Jehan's Ae Puttar Hattan De Naen
Vikday and Aae Watan Ke Sajilay Jawanoon, Mehdi Zaheer's Hum Mustafawee
Hain and Naseem Begum's Ae Rah-i-Haq Kay Shaheedoon were equally
wonderful. They succeeded in their task as singers and their services can
never be forgotten. But would the current crop, which remixes the original
work in an attempt to achieve instant fame, have been able to raise the
morales of the jawaans on the war front? Instead, cigarettes, sweet supari
and bubble gums dominate their songs in this post-war era.
Television in Pakistan, from its inception in the early '60s
till the time private TV channels were introduced in the country, played
an important part in making national songs available to all. The day
private channels were given the right to air their transmissions marked
the slow death of quality patriotic songs. People like Fakhr, Saleem
Javed, Hadiqa Kiyani, Ali Haider, Ali Sher, Rizwanul Haq, Rahim Shah,
Shehzad Roy and Haroon became the new pop icons while their transition
made Alamgir, Shyhaki and others disappear.
The patriotic numbers that have managed to do well in the last 15 to 20 years can be counted on
the fingertips. Who is responsible for this fall? In this writer's humble
opinion, musicians, singers, poets and other factors, including remixed
songs, are the culprits.
Musicians played an important role in
conceiving songs, considering the mood and conducting the orchestra for
national songs in the golden era of the '60s, that continued till the
'80s. Sohail Rana composed the most number of patriotic songs, such as the
immortal Sohni Dharti, Yeh Des Hamara Hai, Mera Pakistan Hai, Jeevay
Pakistan, Main Bhi Pakistan Hoon, Zameen Ki God Rang Se, Hum Mustafawee
Hain and many more. His contribution in this regard is equivalent to that
of the leaders who helped create Pakistan in 1947.
Famous composer Nisar Bazmi, who left films in the '80s, gave great patriotic numbers,
such as Yeh Watan Tumhara Hai, Ae Rooh-i-Quaid, Hum Zinda Qaum Hain and
Khayal Rakhna. Khalil Ahmed's timeless Watan Ki Mitti Gawah Rehna, Ae
Watan Pak Watan, Jug Jug Jiye Mera Pyara Watan, Jaag Utha Hai Saara Watan,
Hamara Parcham and Niaz Ahmed's Itne Baray Jeevan Saagar Main, Mere Watan
Mere Chaman, Mera Paigham Pakistan kept the tradition alive till the end
of '80s when national TV lost interest in milli naghmay and started
competing with rival local and international channels by promoting glamour
and commercials.
At a time when national TV was ruled by
state-owned PTV, all national holidays including March 23, August 14,
September 6 and 11 and December 25 were celebrated with quality shows,
plays, quiz programmes and above all, national songs. Favourite songs by
Alamgir, Madam Nur Jehan, Masood Rana, Shehnaz Begum, Nayyara Nur, Habib
Wali Mohammad, Naheed Akhtar, Mehdi Zaheer, Ahmed Rushdi, Ustad Amanat Ali
Khan, Mohammad Ali Shyhaki, Amjad Hussain, Naseem Begum, Inayat Hussain
Bhatti, Mehdi Hasan, Allan Faqir and last but not the least, Junaid
Jamshed, were aired on TV much to the pleasure of the viewers. But
later-day private channels care less about commemorating national holidays
and more about generating revenues. So where does that put the viewers'
right to good music?
Jamiluddin Aali (Jeevay Pakistan, Mera Paigham
Pakistan, Ae Watan Ke Sajilay Jawanon, Itne Baray Jeevan Saagar Mein, Hum
Mustafawee Hain) and Masroor Anwar (Apni Jaan Nazar Karoon, Sohni Dharti,
Chand Meri Zameen, Hamara Parcham) have penned the lyrics of the most
number of national songs. Sehba Akhtar (Tera Pakistan Hai), Mohammad Nasir
(Maaon Ki Dua, Sab Ek Hain) and Hasan Akbar Kamal's (Maula, Hum Hain
Pakistani, Dil Mangay, Aise Hum Jeeyain) contribution is also remarkable,
but those among these poets who are still around have stopped penning
lyrics.
Since the '90s, there have been songs that have tried to
keep patriotic songs alive. These saviours, as we call them, include
Junaid Jamshed without whom no piece about national songs can be complete.
But lately, before bowing out, he remixed his own version of Dil Dil
Pakistan and earned bad reviews. Still, he remains an icon, first as a
vocalist for Vital Signs and later as a soloist with Maula, Aise Hum
Jeeyain, Yehi Zameen, Hum Hain Pakistani, Dil Mangay Aur and Dil Mangay
Dil Mangay, apart from Dil Dil Pakistan first aired on TV in 1987. But
most of his numbers were later made into sponsored songs for the
soft-drink brand he endorsed and here is where he faltered. A handful of
songs which have stood out in the last 15 years include Junoon's
Jazba-i-Junoon, Jawad Ahmed's Dosti and Awaz's Ae Jawan.
Remixes are the murderers of quality music everywhere. Whenever a song has been
remixed, melody has deteriorated. Aamir Saleem remixed Nayyara Noor's Is
Parcham Kay Saaye Tallay brought embarrassment to the listeners. The
now-revamped Sequencers, who were hot in the Music Channel Charts' days
nearly a decade ago, remixed Alamgir's Khayal Rakhna without any regard to
Alamgir, Benjamin Sisters, Nisar Bazmi or Tahir Pervaiz.
The original stuff that did come to the fore was unable to make an impression,
either due to lack of patriotism or sponsors. They include Najam Shiraz's
Jeet, Abrar's Pak Fauj, Shehzad Roy and Junoon's Khudi Ko Kar, Khudi Ka,
Ya Rab Dil-i-Muslim, Awaz's Watan Kahani, Fakhr's Dharti Ki Kasam and
Allah Yeh Dua Hai, Haroon's Dil Se, Arif Lohar and Arifa Siddiqui's Mere
Des Main Har Pal Chahoon, Saraab and Ahmed Jehanzeb's Sab Se Pehle
Pakistan, Khurram Jamshed's Jeewan Sagar, Fakhir's Dil Na Lagay, Ali
Sher's Saamne Hai Manzil, Kaash's Tu Hai and Akbar Ali's Chanda Se.
On the other hand, the golden era of national TV was marked by
great songs like Masood Rana's Millat Ka Pasban Hai, Nayyara Noor's Jo
Naam Wohi Pehchan and Watan Ki Mitti, Habib Wali Mohammad's Ae
Nigar-i-Watan and Roshan-o-Rakhshan, Alamgir's Ae Pak Watan, Sab Ek Hain,
Khayal Rakhna, Maaon Ki Dua, Shehron Ki Dulhan and Tumhi Se Ae Mujahidon,
Mohammad Ali Shyhaki's Main Bhi Pakistan Hoon and Mere Watan Mere Chaman,
Benjamin Sisters' Ae Rooh-i-Quaid (with Sajjad Ali) and Hum Zinda Qaum
Hain (with Tehseen Javed, Amjad Hussain and Fatima Jaffery), Ustad Amanat
Ali Khan's Ae Watan Pak Watan and Chand Meri Zameen, Naheed Akhtar's Jug
Jug Jiye and Hamara Parcham, etc, followed by countless songs composed by
great composers such as Sohail Rana and Nisar Bazmi.
Irreparable loss
What can be done to redeem the unavailability of quality
patriotic songs? It is due to this loss that our patriotism has reached
rock-bottom level. The poets who penned classic songs do not seem to be in
the mood to write anything for our current crop of singers, while most of
the old lot of singers have either left Pakistan or passed away (Nur
Jehan, Ahmed Rushdi, Ustad Amanat Ali Khan, Nusrat Fateh Ali Khan, Naseem
Begum, Khalil Ahmed, Masood Rana and Allan Faqeer). Ahmed Rushdi, who
featured in Pak Sar Zameen as one of the singers, was the first to sing
Mera Inaam Pakistan and Sohail Rana's first-ever patriotic song, Himmat Se
Har Qadam from the film, Jab Se Dekha Hai Tumhain). His services were
recognized last year (20 years after his death) when he was awarded the
Pride of Performance by the President of Pakistan along with Niaz Ahmed,
the composer of Mera Inaam Pakistan. Alamgir, on the other hand, now lives
in the United States and misses Pakistan so much that in one of his
concerts in the US recently, he cried during a song.
Sohail Rana left Pakistan to settle down in Canada, apparently never to return again
while Nisar Bazmi doesn't compose songs anymore. Habib Wali Mohammed only
visits Pakistan once or twice a year while Naheed Akhtar bid farewell to
singing after her marriage to Asif Ali Pota. Junaid Jamshed, with his
religious bent of mind, refused to shoot the music video for his final
album, Dil Ki Baat, while Shehnaz Begum opted for Bangladesh after 1971.
Mohammed Efrahim, on the other hand, migrated to Pakistan permanently but
never got the fame he deserved after Zameen Ki God Rang Se. The talented
Benjamin Sisters are nowhere on the circuit and it is ironic that songs
like Zameen Ki God Rang Se and Mera Inaam Pakistan are not even available
on audio.
Is this any way to treat those who have made patriotism
levels reach sky-high with their vocal renditions? How many more years do
we have to wait for quality milli naghmay? We all have played our part in
the death of such songs because if we had treated our heroes the way they
rightly deserved, we would still be hearing songs of the class of Sohni
Dharti and Jeevay Pakistan.
by Omair Alavi
August 15, 2004
DISCLAIMER: The public material presented here is taken from various sources as it becomes available. It is presented without any
bias to, or interpretation of, the contents whatsoever. We would be grateful for any help anyone can provide in obtaining other such
public material of national importance to Pakistan in order to aid intellectual discourse and debate.
Select image below to hear/view file.
| Milli Naghmay |
File size [MB] |
File format |
Lyrics |
Listen / Download |
| Aaj Phir Gulshan-e-Tauheed |
- |
- |
- |
- |
| Aao Bachon Sahr Kerain Tum ko Pakistan ki |
0,8 |
ra |
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| Aey Jawan |
1,1 |
mp3 |
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| Aey Mard-e-Mujahid Jaag |
1,7 |
mp3 |
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| Aey Meri Sarzameen |
1,6 |
mp3 |
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| Aey Quaid-e-Azam Tera Ehsan |
1,2 |
mp3 |
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| Aey Rah-E-Haq Ke Shaheedon |
1 |
mp3 |
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| Aey Watan Hum Hain |
- |
- |
- |
- |
| Aey Watan Ke Sajeele Jawanoo |
0,8 |
mp3 |
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| Aey Watan Paak Watan |
1 |
mp3 |
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| Aisay Hum Jeeyain |
1 |
mp3 |
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| Allah Ka Inam Hai Azad |
4,2 |
mp3 |
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| Amar Kahani |
- |
- |
- |
- |
| Apni Jaan Nazar Karoon |
1,1 |
mp3 |
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| Azadi |
1 |
mp3 |
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| Chand Meri Zameen |
1,2 |
mp3 |
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| Dil Dil Pakistan |
1 |
mp3 |
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| Dil Hai Mera Mulk Mera |
0,9 |
mp3 |
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| Dil Maangay |
1 |
mp3 |
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| Haathon Mein Haath Liye |
0,7 |
mp3 |
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| Hamara Parcham |
1,2 |
mp3 |
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| Hamari Shaan |
1,1 |
mp3 |
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| Hum Aazad Hain |
3,9 |
mp3 |
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| Hum Hain Pakistan |
1,1 |
mp3 |
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| Hum Loug Yahi Ek Dua |
- |
- |
- |
- |
| Hum Mustafawi Hain |
1,4 |
mp3 |
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| Hum Zinda Quam Hain |
1,7 |
mp3 |
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| Inn Fizaaon Se |
1,3 |
mp3 |
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| Is Parcham Kay Saye |
1,2 |
mp3 |
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| Itne Bade Jeeven Sagar |
1,2 |
mp3 |
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| Jaag Utha Hai Sara Watan |
1,1 |
mp3 |
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| Jazba-e-Junoon |
1,1 |
mp3 |
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| Jeevay Jeevay Pakistan |
0,9 |
mp3 |
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| Jiye Jiye |
1,7 |
mp3 |
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| Jug Jug Jiye Mera Pyara |
1,1 |
mp3 |
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| Khayal Rakhna |
1,2 |
mp3 |
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| Khushboo Banke Meihek |
1 |
mp3 |
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| Lala G Jan Dyo |
0,5 |
ra |
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| Lub Pe Aati Hai |
0,9 |
mp3 |
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| Main_Bhi_Pakistan_Hoon |
1 |
mp3 |
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| Maoon_Ki_Dua |
1 |
mp3 |
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| Maula |
0,7 |
mp3 |
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| Mera Des |
1 |
mp3 |
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| Mera Des Mera Mahiya |
0,8 |
mp3 |
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| Mera Dil Hai Pakistan |
1,1 |
mp3 |
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| Mera Paigham Pakistan |
1,1 |
mp3 |
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| Mere Watan |
0,9 |
mp3 |
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| Meri Jaan Hai Pakistan |
1,2 |
mp3 |
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| Meri Pehli Paichaan Pakistan |
1,2 |
mp3 |
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| Munda Pakistani |
1 |
mp3 |
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| Nay Reesan Pakistan Dian |
0,8 |
ra |
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| National Anthem - Quami Tarana (Vocal) |
0,8 |
mp3 |
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| National Anthem - Quami Tarana (Instrumental) |
0,8 |
mp3 |
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| Naya Pakistan |
- |
- |
- |
- |
| Nigar-e-Watan |
0,4 |
mp3 |
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| Pakistan |
- |
- |
- |
- |
| Pakistan Ko Samjho |
0,8 |
mp3 |
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| Proud Pakistani |
0,9 |
mp3 |
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| Pyare Watan |
1,5 |
mp3 |
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| Qasam Uss Waqt Ki |
0,8 |
mp3 |
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| Roshan_Rakhshan |
1,5 |
mp3 |
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| Sapna |
3,3 |
mp3 |
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| Sari Duniya Ghumoh |
1,3 |
mp3 |
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| Sarzameen-e-Watan |
1,1 |
mp3 |
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| Sohni Dharti |
1,1 |
mp3 |
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| Suraj Karey Salam |
1 |
mp3 |
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| Tera Pakistan Hai, Yeh Mera Pakistan Hai |
1,4 |
mp3 |
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| Teri Wadi Wadi |
0,9 |
mp3 |
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| Tu Hi Dildar Hai |
- |
- |
- |
- |
| Watan Kahani |
0,8 |
mp3 |
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| Watan Ki Mitti Gawah Rehna |
1,3 |
mp3 |
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| Watan Ki Yaad |
2,3 |
mp3 |
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| Ya Rub Dil-e-Muslim Ko |
1,7 |
mp3 |
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| Yeh Des Hamara Hai |
0,9 |
mp3 |
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| Ye Watan Tumhara Hai |
1,4 |
mp3 |
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| Zameen Ki Goud |
0,9 |
mp3 |
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